Sunday, 2 June 2019

Frank Murri - for the love of pi


Frank Murri : Beauty in the infinite


Figure 1. Frank Murri, The Prime Ingredient in a Big Piece of Pi - Panel #1 (1-322 digits), 2016. Timber,acrylic and ink on board. Source: Artcollector 2017. Accessed March 14, 2018. http://www.artcollector.net.au/FrankMurriThePrimeIngredientinaBigPieceofPi

For those who celebrate international Pi Day on March 14th (3/14) , you are in for a visual treat. Artist Frank Murri's exhibition The Prime Ingredient in a Big Piece of Pi (π) is on display at Tweed Regional Gallery, murwillumbah from 24 November to 22 April 2018.

Why Pi ? Pi is the ratio of the circumference of a circle to its diameter. Pi is a transcendental and irrational number. Pi has been calculated beyond one trillion digits past its decimal point without repetition or pattern. It is the epitome of randomness. What comes before has no influence on what comes next, there is no evident structure or pattern. It appears to be infinite and random yet it embodies order inherent in a perfect circle. The beauty of pi, is that it puts infinity within reach.

Frank Murri (born 1967, Newcastle) is an australian artist who's practice is based in Newcastle , New south wales. Murri is a Self taught Sculptor, who travelled extensively through Europe, Africa, Middle East and Asia obtaining the knowledge and developing the theories and skills of sculpting. Over the past 10 years Murri has exhibited at Newcastle, Sydney and Hamilton galleries in solo and group exhibitions as well as being a finalist in various artprizes [1].

For Murri his practice revolves around his interest in capturing not only the truth but the beauty hidden within pure mathematics which transends usual visual forms by abstraction from data representation. The visualisation of data as art is not a new concept. Artists such as Ryoji Ikeda , Nadieh Bremer and Martin Krzywinski have explored the various applications of pi to diverse aesthetic outcomes [2].
Murri has taken a unique approach to mathematical based visual art by developing an art form that attempts to synthesise a design aesthetic, sculpture and advocation of pure abstraction.

The body of work,The Prime Ingredient in a Big Piece of Pi , consists of a collection of 43 panels. Each 94 x 58 x 5cm. Timber, acrylic & ink on board. The sculptural relief works are constructed from hardwood timbers such as ramin and white wood and are wall-hung. These panels have the first 12,586 digits of Pi enconded in them through the carving and color coding the panels.

Describing the visual process embued into these panels can be as dry for many as sitting through a maths class, but it is nessesary for understanding the work. In The Prime Ingredient in a Big Piece of Pi - Panel #1 (1-322 digits) (Figure 1) Murri represents each integer of pi by carving a groove into the black timber strips which are joined to form the panels.. The first number, 3, is carved 3cm down from the top left hand corner, next the decimal point and from this point the next integer is carved 1cm down, the following 4cm from the last. The numbers are placed top to bottom, left to right and the process is repeated for the 12,586 digits. The first four prime numbers (2, 3, 5, 7) have been highlighted with the primary colors red, yellow and blue sequencially [3] . This structured and formulaic approach has produced a visualisation of pi that creates a tension between order and randomness.

The Tweed River Art Gallery has displayed murra's artwork in a long , climate controlled, hallway . This space is brightly lit by natural light from several windows and with artificial lights which are shone down apon the panels. The windows are located on the north side of the hallway, causing disjointed breaks in the placement of the panels and ultimately lossing the sense of an infinite number which is in contrast to the connecting panels on the opposite wall.
This being said, the works were designed to be modular, with Murri commenting that the body of work itself, as it is based on an infinite number, is limited by the gallery space in which it inhabits.

The strength of this exhibition is that on seeing the digits of pi visualized in physical space, the hidden beauty of mathematics is revealed. It is not just numbers on a page. We see the beauty in the infinite complexities around us which are often overlooked. The Prime Ingredient in a Big Piece of Pi (π) gives you the opportunity to take a moment to appreciate and recognize the extent to which math has allowed us to describe reality. Exposing the inner workings of our universe and putting the infinite within reach.






































https://www.facebook.com/frank.murri




[1] https://m.tweed.nsw.gov.au/CommonLatestNewsDetail.aspx?css=tsc&Domain=www&id=2221


[2] https://m.tweed.nsw.gov.au/trgExhibitionsDetail.aspx?css=trg&id=131


[3] http://www.franceskeevilgallery.com.au/essay.php?artistID=102


[4] http://www.franceskeevilgallery.com.au/images/MURRI,Frank_CV_2.pdf


[5] https://frankmurri.wordpress.com/cv-bio/


[6] http://www.theherald.com.au/story/4634719/neverending-story-of-beautiful-fractals-photos/#slide=5




[7] http://mrag.org.au/exhibition/frank-murri-the-prime-ingredient-in-a-big-piece-of-pi/


[8] https://www.echo.net.au/2017/11/the-art-of-mathematics/


[9] https://www.washingtonpost.com/news/wonk/wp/2015/03/14/10-stunning-images-show-the-beauty-hidden-in-pi/?utm_term=.b21c68f5b91c


[10] https://www.newyorker.com/tech/elements/pi-day-why-pi-matters








[3] http://www.franceskeevilgallery.com.au/essay.php?artistID=102


[9] https://www.washingtonpost.com/news/wonk/wp/2015/03/14/10-stunning-images-show-the-beauty-hidden-in-pi/?utm_term=.b21c68f5b91c
[5] https://frankmurri.wordpress.com/cv-bio/










This art form I’ve developed advocates pure abstraction in an attempt to synthesise a design aesthetic,”

Says Kryzwinski, "Pi Day is a great time to take a moment and recognize the extent to which, as a language to describe reality, math has allowed us to write the details of the workings of our universe."
"Thanks to numbers and math, we can build devices that will deliver this text to you. And, as you read it, we know how fast the photons will be traveling and what happens when they hit your retina. The rest is up to you." [9]




considering the sequential nature of the work seems an odd choice, unless a collector purchased purely for aesthetic consideration.






What else can we take away from these graphics? For one, seeing all of the digits of pi visualized in physical space should help bring home another attribute of mathematics. Math isn't just numbers on a page: From physics to architecture, math is the language that we use to describe and construct the physical world around us. That's especially true for pi, which describes a perfect circle that appears everywhere in nature.

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